Afterlight. Afterglow

Video Installations and their Pioneers

Georg Faulhaber, Karl Gerstner, Julio Le Parc, Zilla Leutenegger, Roy Lichtenstein, Gustav Metzger, Oscar Muñoz, Nam June Paik, Sergio Prego, René Pulfer, Pipilotti Rist, Teresa Serrano, Keith Sonnier, Nevet Yitzhak

23.1. —
24.5.2021

Nevet Yithzak G 2021 1
Nevet Yitzhak, WarCraft, 2014. Courtesy the artist. Installation view Kunsthaus Baselland 2021. Photo: Gina Folly
Terese Serrano G 2021 1
Teresa Serrano, Boca de tabla, 2007. Daros Latinamerica Collection, Zürich. Installation view Kunsthaus Baselland 2021. Photo: Gina Folly
Rene Pulfer G 2021 1
René Pulfer, Swiss National Bank Security, 2002/2008. Sammlung Kunstkredit Basel-Stadt. Installation view Kunsthaus Baselland 2021. Photo: Gina Folly
Pipilotti Rist Sergio Prego G 2021 1
Pipilotti Rist, Apple Tree Innocent on Diamond Hill, 2003. Courtesy the artist, Hauser & Wirth and Luhring Augustine; Sergio Prego, Para-, 2004. Courtesy the artist. Installation view Kunsthaus Baselland 2021. Photo: Gina Folly
Pipilotti Rist Sergio Prego G 2021 2jpg
Pipilotti Rist, Alice (from the Yoghurt On Skin - Velvet On T.V. Family), 1994. Sammlung Kurt Aeschbacher; Apple Tree Innocent on Diamond Hill, 2003. Courtesy the artist, Hauser & Wirth and Luhring Augustine; Oscar Muñoz, Re/trato, 2003. Daros Latinamerica Collection, Zürich. Installation view Kunsthaus Baselland 2021. Photo: Gina Folly
Nam June Paik G 2021 1
Nam June Paik, Swiss Clock TV, 1988. Esther Grether Familiensammlung; Teresa Serrano, Boca de tabla, 2007. Daros Latinamerica Collection, Zürich. Installation view Kunsthaus Baselland 2021. Photo: Gina Folly

Project partners


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Vermittlungsprojekt «Videomobil»:

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A temporally authentic, precise observation of the present (thanks to the new possibilities presented by the video camera, monitor, and recorder) has allowed artists, especially since the 1960s, to approach and work with this material in completely new ways. What did this new artistic style develop from, what is the role of kinetic works, how have they evolved, what are their precursors, and what part did Swiss artists play in this alongside their international colleagues? What role did the development of Super 8 play, and are innovative works that once explored the medium in a fascinating way still able to be understood today?

The group exhibition focuses on complex video works as well as their precursors from the late 1950s onwards, which in retrospect used the medium in a new way and continue to have a significant impact or resonance to this day. Thanks to prominent loans from participating artists as well as private and public collections, a selection of the major video pioneers of this period can be shown alongside their younger colleagues.


Exhibition Booklet

Exhibition Trailer

Curator: Ines Goldbach, Käthe Walser and Yasmin Emmenegger (curatorial assistant)